Most commonly reported Work Activities

•   Thinking Creatively Developing, designing, or creating new applications, ideas, relationships, systems, or products, including artistic contributions.
•   Getting Information Observing, receiving, and otherwise obtaining information from all relevant sources.
•   Drafting, Laying Out, and Specifying Technical Devices, Parts, and Equipment Providing documentation, detailed instructions, drawings, or specifications to tell others about how devices, parts, equipment, or structures are to be fabricated, constructed, assembled, modified, maintained, or used.
•   Communicating with Supervisors, Peers, or Subordinates Providing information to supervisors, co-workers, and subordinates by telephone, in written form, e-mail, or in person.
•   Establishing and Maintaining Interpersonal Relationships Developing constructive and cooperative working relationships with others, and maintaining them over time.
•   Making Decisions and Solving Problems Analysing information and evaluating results to choose the best solution and solve problems.
•   Organising, Planning, and Prioritising Work Developing specific goals and plans to prioritise, organise, and accomplish your work.
•   Interacting With Computers Using computers and computer systems (including hardware and software) to program, write software, set up functions, enter data, or process information.
•   Updating and Using Relevant Knowledge Keeping up-to-date technically and applying new knowledge to your job.
•   Scheduling Work and Activities Scheduling events, programs, and activities, as well as the work of others.

Working Life

The Standby Art director represents the production designer or art department on set during filming, dealing with any changes that may be needed to the set or props while filming is underway.

Role and Responsibilities 

• They oversee and maintain continuity throughout the shoot within their department.
  
  
• Responsible for dressing or re-dressing sets according to the production designer’s specifications, as well as liaising with art department and construction crew on set.
  
  
• Anticipate the effects of any scheduling or script changes and communicate effectively with the rest of the art department team. 
  
  
• Be prepared to troubleshoot any relevant art department issues that arise during shooting such as changes or repairs to sets or props.

Works with

• Production Designer
• Art Director
• Director
• Assistant Director
• DOP
• All of the Art Department

Most commonly reported Work Tasks

• Develop set designs, based on evaluation of scripts, budgets, research information, and available locations.
• Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed.
• Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects or lighting.
• Read scripts to determine location, set, and design requirements.
• Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions.
• Attend rehearsals and production meetings to obtain and share information related to sets.
• Confer with clients and staff to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, or promotion requirements.
• Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information, as necessary.
• Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles.
• Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts.

This occupation is typically suited for people with the following Career Interests:

 Creative

Creative people are drawn to careers and activities that enable them to take responsibility for the design, layout or sensory impact of something (visual, auditory etc). They may be atrracted to the traditional artistic pursuits such as painting, sculpture, singing, or music. Or they may show more interest in design activities, such as architecture, animation, or craft areas, such as pottery and ceramics.

Creative people use their personal understanding of people and the world they live in to guide their work. Creative people like to work in unstructured workplaces, enjoy taking risks and prefer a minimum of routine.

 Enterprising

Enterprising people like situations that involve using resources for personal or corporate economic gain. Such people may have an opportunistic frame of mind, and are drawn to commerce, trade and making deals. Some pursue sales and marketing occupations. Many will eventually end up owning their own business, or in management roles in larger organisations. They tend to be very goal-oriented and work best when focused on a target. Some have an entrepreneurial inclination.

 Realist

Realists are usually interested in 'things' - such as buildings, mechanics, equipment, tools, electronics etc. Their primary focus is dealing with these - as in building, fixing, operating or designing them. Involvement in these areas leads to high manual skills, or a fine aptitude for practical design - as found in the various forms of engineering.

Realists like to find practical solutions to problems using tools, technology and skilled work. Realists usually prefer to be active in their work environment, often do most of their work alone, and enjoy taking decisive action with a minimum amount of discussion and paperwork.

CORU Requirements

There are a variety of study routes for students wishing to pursue a career in the health and social care professions. However, not all courses lead to the direct path of being able to practise in Ireland once qualified. In Ireland, if you want to practise as a Standby Art Director, you must be registered with CORU, - Ireland's regulator of health and social care professionals.

One of the functions of the Registration Boards at CORU is to approve and monitor education and training programmes. The purpose of regulating education and training programmes is to ensure that all graduates entering the Register meet the necessary standards and have the knowledge and skills required for public protection. This ensures the delivery of safe and effective practise to the benefit of the service user.

What does this mean when selecting a course to study in Ireland?

This is the current list of Approved Qualifications to work as a Standby Art Director. If you achieve one of these qualifications, you are eligible to apply for CORU registration.

What about studying abroad, and practising in Ireland once qualified?

If your professional qualification is awarded outside of Ireland and you want to register and work in Ireland, the process is a little more complex. You must first apply to have that qualification recognised by the Registration Board for your profession.

To be eligible to apply for recognition of your international qualification, you must have completed professional training, which gives you eligibility to practise your profession in the country where you were awarded the qualification.

The Registration Board will assess your qualification as well as any other relevant qualifications and work experience for compliance with the standards required for practising in Ireland.

If you are unsure about health and social care regulation, CORU is happy to help with any questions. You can contact CORU at [email protected]

Education Route: A degree in Architecture, Design, Interior or 3D design can be beneficial. Regardless of education, years of experience working in the Art Department is vital to this role.

Career Path to Standby Art Director: There are no usual career paths for the Standby Art Director ordinarily they would have worked their way through the Art Department, starting as an Art Department trainee. 

Career Path from Standby Art Director: Assistant Art Director, Set Designer.