Boom Operators capture clear, precise sound on set using long poles (booms), while staying in sync with the scene and out of shot during filming.
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Working Life
Boom Operators use long poles (called booms) to capture clear, accurate sound on set. They must stay perfectly in sync with the action while remaining out of the camera’s frame during filming.
TV Boom Operators are the most recognisable figures on a location shoot after camera operators, and are the people holding what look like long poles – boom arms or “fishpoles” – as near to the action as they can (without accidentally getting the boom into shot and hearing the standard complaint of “Boom in!”).
They work on location and in the studio, sometimes with their trademark boom mounted on a dolly, working closely with, and always overseen by, the sound supervisor.
On smaller-scale productions, the roles of boom operator and production supervisor may be performed by the same person. This is standard practice for news gathering or documentaries.
At the heart of a boom operator’s role is capturing clear, accurate sound that fits seamlessly with each scene. They must also know how to handle and properly fit radio microphones, as well as position any additional mics needed to record dialogue and ambient sound.
Works with
- Director
- Camera Operator
- Line Producer
- Production Assistant
- Equipment Hire Companies and Suppliers
Qualities - Boom Operator Single Camera
Is this role right for me?
To perform this role, you must:
Have good aural skills.
Have detailed knowledge of sound-recording equipment and all related technology.
Have a thorough knowledge of the television production process, to include the functions of camera and lighting.
Be a team player – and probably one of the quieter members of the production crew.
Have the ability to remain intensely focused and still for long periods during a shoot.
Be physically strong enough to hold a boom pole still, and in the same position, for long periods.
Have a well-developed memory and be able to recognise lines that may have been incorrectly delivered in subsequent takes by a presenter, for example.
Have a general aptitude for technology and be adept at trouble-shooting when sound equipment ceases functioning correctly on location.
Be extremely time-conscious and punctual.
Hold a full Driver’s Licence
Be capable of working long days, sometimes in locations that are uncomfortable, with limited access to facilities, and when necessary, being on the road for several weeks at a time.
Have a good knowledge of all health and safety matters relating to location TV production.
Interests - Boom Operator Single Camera
This occupation is typically suited for people with the following Career Interests:
Realist
Realists are usually interested in 'things' - such as buildings, mechanics, equipment, tools, electronics etc. Their primary focus is dealing with these - as in building, fixing, operating or designing them. Involvement in these areas leads to high manual skills, or a fine aptitude for practical design - as found in the various forms of engineering.
Realists like to find practical solutions to problems using tools, technology and skilled work. Realists usually prefer to be active in their work environment, often do most of their work alone, and enjoy taking decisive action with a minimum amount of discussion and paperwork.
Entry / Progression - Boom Operator Single Camera
Education Route: A third level qualification that includes sound production or media studies may be beneficial.
Career Path to Boom Operator - Single Camera: The role is often filled by people who started as shoot/camera runners or have “graduated” through junior roles and on-the-job learning.
Career Path from Boom Operator - Single Camera: Sound Recordist, Sound Mixer, Camera Assistant.
