The Wardrobe Assistant Standby supports the costume designer, manages daily on-set wardrobe needs, oversees fittings, preps costumes, and assists actors with dressing, particularly with period costumes.

Finds entertaining and interesting information, people and places for TV and radio programmes.

The Hair Department Trainee supports senior staff, assists with extras, wigs, and records, references look boards, and learns script breakdown, continuity, and set operations through hands-on training.

Stands in as a double for an actor to perform stunts and other dangerous scenes in a film or television show.

The VFX Line Producer works closely with the overseeing producer, supervisors, and leads, their primary focus is the planning and management of the budget and financial resources of the production.

Writes music tailored for video games and interactive experiences.

The Property Master is responsible for sourcing or making all the props required for the film and placing them on set for shooting.

The 2D Artist supports the Art Director’s vision, designing characters, sets, props, set dressing, and graphics for the overall production design.

The Animation Supervisor directs the animation team, ensuring consistent performance of all objects, digital characters or creatures, while working closely with the Director and VFX Supervisor. 

An Art Director ensures consistent visual style, overseeing creative content and collaborating across departments to maintain the production’s artistic vision from pre-production to post-production.

Ceramics technologists carry out work concerned with the science and technology of ceramic materials.

All 3D models intended for animation require a control rig. The Rigging Supervisor is responsible for overseeing the artistic and technical quality of all rigs created for a production.