Junior FX Artists typically join later in post-production to apply established FX setups across multiple shots, following the pipelines and tools developed by supervisors, leads, and FX TDs. 

Writes content on behalf of an organisation that informs, educates, entertains, or instructs readers and can include anything from fun blog posts and marketing material to formal policy papers

A Production Assistant supports smooth workflow by updating schedules, tracking tasks, coordinating between departments, taking meeting notes, and ensuring teams have necessary resources in 2D/3D animation production.

Edits and prepares pre-recorded footage for a film or video.

The Boom Operator is a specialised role responsible for positioning a long boom arm to hold the microphone close to the action, ensuring high-quality sound capture while keeping the microphone out of the camera frame.

Radio/television journalists report on news items. It is necessary to respond to a story at very short notice and have the material ready by a deadline.

The Second Assistant Director works closely with the First AD in planning and implementing various tasks according to production schedules and budgets,

Responsible for tasks such as selling and checking tickets, showing members of the audience to their seats and keeping aisles and exits clear.

A Storyboard Supervisor leads the storyboard team, sets style and standards, collaborates with the director, refines storytelling elements, and ensures timely, on-budget delivery of high-quality storyboards.

The Dolly Grip builds and maintains all of the equipment on which cameras are mounted on a film set.

The job of the actor/actress is to portray and bring to life a character from the screenplay. 

The Costume Department is responsible for the design, fitting, hire, purchase, manufacture, continuity, and care of all costume items on film/TV.