The broadcaster is listed as a separate category because it includes several production roles that are unique to the broadcasting environment. It also has variations of roles—like EFP Camera Operator versus Lighting Camera Operator—that are not usually found in the Independent Production sector.

Electricians maintain electrical lighting equipment on set and on location. They work under the instruction of the Gaffer and Best Boy to ensure all gear is safe, clean, and functional.

Co-ordinates and manages the regular production of a newspaper or magazine.

The Accounts Assistant supports the head of the accounts department with the day-to-day running of the department before, during, and after a film production. 

A racing journalist reports on horse racing for newspapers, trade papers, racing websites or broadcast media.

The 2D Supervisor works closely with the CG supervisor and the VFX supervisor to ensure all elements of the final shot align with the director’s vision. 

3D models are categorised as organic or non-organic, each requiring different techniques. modelers primarily create non-organic models, such as props and environments, using 3D modeling software.

The Boom Operator is a specialised role responsible for positioning a long boom arm to hold the microphone close to the action, ensuring high-quality sound capture while keeping the microphone out of the camera frame.

The Costume Department is responsible for the design, fitting, hire, purchase, manufacture, continuity, and care of all costume items on film/TV. 

Works alongside the Makeup Artist to apply make-up and style hair for anyone appearing in front of a camera or a live audience.

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The Focus Puller (1st AC) ensures sharp shots, manages camera equipment, sets up lenses, troubleshoots issues, and is crucial for avoiding costly re-shoots by maintaining focus accuracy.