A Post Production Manager oversees all processes, schedules, and budgets; managing crew and ensuring clear communication with producers, supervisors, and creative team.

The Compositor integrates VFX with live-action plates, ensuring photorealism and aesthetic consistency in line with feedback from the compositing and VFX supervisors.

The Film Editor leads the editing team, collaborating with the director to align visuals, sound, and music, shaping the film’s artistic vision through production and post-production stages.

Identifies how many locations are needed, where they should be, and how long they will be used for TV and film shoots — all to support the creative vision of the director and production designer. 

Inspects and analyses fabrics, materials and production methods used in the manufacture of clothing. 

Working closely with the art department, Construction Workers interpret, plan, manage, and build all sets and constructed elements of a film. 

The Sound Trainee supports the senior recordist, checks and distributes audio headsets daily, tests equipment, assists with boom operation, and monitors sound stock like mics and batteries.

The Film Editor leads the editing department and works closely with the director to realise their artistic vision for the film.

The VFX Supervisor leads the entire VFX team, collaborating with the director and producers from start to finish to define and deliver all visual effects requirements. 

An Environment Modeler creates non-organic assets like props and environments using 2D designs and turnarounds, focusing on accuracy and detail to meet production requirements.

Line Producers are responsible for the physical shoot, its budget, the production schedule, and all related logistical matters. 

A TV Camera/Sound Operator in non-fiction works closely with a small team, capturing visuals and audio on location to support the director’s vision in factual and documentary storytelling.