Designs, measures and cuts cloth for garments like suits shirts and overcoats.

The Extras Coordinator manages the extras on a film or TV set under the direction of senior members of the AD department. 

The Film Editor leads the editing department and works closely with the director to realise their artistic vision for the film.

The Draughtsperson transforms design ideas into technical drawings, providing detailed specifications for the construction crew to build sets according to the Production Designer’s vision.

The Sculptor (or Model Maker) creates specific props informed by the vision and ideas of the production designer, set decorators, and props department. 

The Compositor integrates VFX with live-action plates, ensuring photorealism and aesthetic consistency in line with feedback from the compositing and VFX supervisors.

The Dolly Grip builds and maintains all of the equipment on which cameras are mounted on a film set.

A 2D VFX Supervisor leads the VFX team, ensuring creative and technical quality, meeting deadlines and budget, and realising the director’s vision through visual effects.

The Trainee Accountant assists other members of the accounts department in various ways over the course of a film/TV production.

The Texturing Supervisor is responsible for delivering textures that reach the artistic and technical requirements to deliver the visual style of the production.

Formats and proofs text and images submitted by designers and clients into finished pages that are then ready to be printed. 

The Clapper Loader assists the focus puller, changes lenses and filters, helps reconfigure shots, and occasionally assists with complex shot setups on film and TV productions.