An Animator is responsible for maintaining the level and style of character animation for the production and work closely with the rigging team to approve facial and character rigs, blend shapes and joint deformations.

Graphics Operators use creative and technical skills to deliver live, real-time graphic animations for sports coverage and a wide range of entertainment broadcasts.

The previs and layout artist collaborates with directors and designers to set up a preliminary set layout, scale, and location of a scene to guide storyboard artists and environment modellers.

French polishers prepare and treat wood to produce a smooth finish. They mainly work on furniture but may also french polish fixed timber, e.g, doors and panelling.

The Rigging Supervisor oversees the rigging team and has responsibility for the mechanics of all support rigging, such as  scaffolding, ropes, pulleys, and lifting equipment. 

The Stunt Performer performs supervised action aspects of a film that require specific skills such as fighting or driving stunts.

A 2D VFX Supervisor leads the VFX team, ensuring creative and technical quality, meeting deadlines and budget, and realising the director’s vision through visual effects.

Works alongside the Costume Designer to look after all the clothes and costumes used in a production.

The Standby Prop leads the standyby props team on set, breaks down the script, ensures prop continuity, and checks all props for suitability throughout production.

The Trainee Buyer assists the production buyer in sourcing and purchasing props or components, ensuring items meet designer requirements and are purchased or rented for the production.

The Director is the chief storyteller, shaping the script into a compelling visual narrative and leading the creative vision to deliver effective television content.

Preserves objects to protect them from decay, usually specialising in a particular material or group of objects such as textiles, furniture or paintings.