The Focus Puller (1st AC) ensures sharp shots, manages camera equipment, sets up lenses, troubleshoots issues, and is crucial for avoiding costly re-shoots by maintaining focus accuracy.

Series Producers oversee a show's editorial vision, narrative structure, and creative style from pre-production to delivery, ensuring consistency across all episodes in long-running TV series.

The Hair Designer leads the hair department, collaborating with makeup and costume teams to bring characters and period designs to life on screen.

The Accounts Assistant supports the head of the accounts department with the day-to-day running of the department before, during, and after a film production. 

Works alongside the Makeup Artist to apply make-up and style hair for anyone appearing in front of a camera or a live audience.

All 3D models intended for animation require a control rig. The Rigging Supervisor is responsible for overseeing the artistic and technical quality of all rigs created for a production.

The 2D Supervisor works closely with the CG Supervisor and VFX Supervisor to ensure that all elements of the final shot align with the Director’s vision.

Writes and arranges musical compositions for publishing, use in soundtracks or other media, or live performance.

Make special tools for use in factories and workshops using precision machinery.

The Sound Supervisor is responsible for the quality of all sound recorded on location or in the studio for multi-camera television programmes.

The Grip, under the direction of the Key Grip and Best Boy, is responsible for building and maintaining equipment used to mount and rig cameras, ensuring proper positioning to achieve the desired shots.

Hair and Makeup Artists are responsible for the hair and make-up of all featured talent in the production.