The Line Producer / Production Manager functions as the chief executive officer (CEO) during production, overseeing the budget and managing the production process through to completion.

EVS Operators use industry-standard EVS technology to deliver instant replays during live events like motor racing and sports matches.

Works with printers and printing equipment developing techniques and printing processes.

Sells, designs, makes and repairs wearable and decorative or functional objects such as rings, earrings, necklaces, watches and tableware using using both precious and non-precious metals and stones, and other materials such as glass, plastic, paper and fabrics.

Arranges, weaves and sews hair together to form tailored hairpieces,  braids, switches, and chignons.

The Chargehand Dressing Prop leads the dressing props team to dress the set at the start of each shoot to make sure the director’s vision for the look of the set is achieved. 

Riggers set up and dismantle broadcast equipment on location—often working at height—as part of an Outside Broadcast (OB) team. They also drive OB trucks, typically arriving first and leaving last at each production. 

The Texturing Lead/Supervisor is responsible for delivering textures that reach the artistic and technical requirements to meet the Art Director’s vision for the production.

Designs and supervises the interior decoration of all kinds of buildings.

The Signwriter creates and designs lettering and signage as required, usually under the instruction of the production designer and/or graphics designer. 

Plasters carry out much of the day-to-day work for the construction department on a busy film/TV production, producing and finishing structures, props, and scenery backdrops.