The Film Editor leads the editing department and works closely with the director to realise their artistic vision for the film.

A Rigging Artist is in charge of creating, maintaining, and expanding rigs for a variety of props, vehicles, characters, and other CG objects that need to be animated.

An Animator is responsible for maintaining the level and style of character animation for the production and work closely with the rigging team to approve facial and character rigs, blend shapes and joint deformations.

The Generator Operator maintains the functioning of the generators typically used on film location, particularly in remote areas or where extra power is needed. 

The production department manages budgets, schedules, and logistics, coordinating with artists and clients to ensure smooth animation/VFX workflows, timely reviews, and effective feedback integration.

EVS Operators use industry-standard EVS technology to deliver instant replays during live events like motor racing and sports matches.

An Animation Compositing Supervisor oversees the final assembly of visual elements, ensuring seamless integration of animation, effects, and lighting to achieve the creative vision of the director.

The Sound Recordist is responsible for recording the highest-possible quality of ‘live’ sound on location or in studio, usually in sync with the camera.

The role of the screenwriter is to take a project from idea to the final draft of a screenplay, which is then the blueprint for filming. 

Props are visible, movable items that are used in film. The Props Person builds, manages, and preps them, collaborating with various departments, actors, and extras on set.

The Human Resources (HR) Manager oversees the recruitment and employee administration duties of VFX artists.

Writers craft the scripts that shape factual and entertainment TV, including documentaries, voiceovers, and presenter links for programmes and series.